‘The Way Of The Warrior’ (season four – written by Ira Steven Behr and Robert Hewitt Wolfe, directed by James L. Conway), Kira: “Looks like the Klingons are here to stay.”Sisko: “Maybe they are, but so are we.”. Intended as an affectionate homage to the spy genre, DS9 fell foul of MGM due to the similarities between its characters and a certain rather famous franchise, meaning that, sadly, the pastiche had to be a little more covert when the writers returned to this setting in the future. That episode points out other potentially suspicious instances from Bashir's past, but avoids this turd, even though pretty much the exact thing the Doctor is accused of in that episode happens to him in this one. Sisko’s Bajoran second-in-command, the former rebel fighter Major Kira Nerys, is forced to confront the man responsible for the horrors at the Cardassian labour camp on Gallitep when he arrives at the station, suffering from a disease he could only have contracted there. Odo relives some terrible and tragic memories of a past investigation when he was the constable on Cardassian-occupied Deep Space Nine, then named Terok Nor. Hertzler as Martok bring grandeur, drama and pathos to a tale that explores the true nature of heroism. The episode is a love letter to science fiction and its endless possibilities, confirming its status as a source of hope and optimism. The marvellously conniving and avaricious Quark (Armin Shimerman), along with his sweet brother Rom (Max Grodénchik) and bright nephew Nog (Aron Eisenberg), finds himself stranded on the Earth of 1947, and is beside himself with glee at the prospect of all the things he can sell to a type of ‘hew-mon’ rather more gullible than those he has encountered before. Beyond that, we get a loose disability allegory, which the Melora character sort of hammers home too hard. Even more unfortunate, from Quark’s point of view, is the fact that the ever-suspicious Odo has stowed away on their shuttlecraft in order to spy on Quark’s shady business transactions. She's a bit of a punching bag for many fans of the series, but I don't know exactly how the show was supposed to make this character work, with only a season left to do it. He and Armin Shimerman wanted to take a supposedly funny concept and push it into more serious territory. The episode showcased the easy chemistry between Quark and family that would provide many more hilarious moments in the seasons to come; throwing Quark’s love-hate relationship with Odo into the mix was just the icing on the cake. Trending pages. Or it could be attributed to how dumb the concept came off in this episode. This episode is almost amazingly ridiculous, especially since apparently the inside of a master spy's mind is just a series of bland corridors, but the fact that it takes place during the show's closing nine-episode arc both helps and hurts it. There's some wonderful interplay between Armin Shimerman, Max Grodenchik, and Wallace Shawn in the middle of the episode, with Grodenchik starting to emerge as one of the show's secret weapons. I'm not going to say that this episode is completely unenjoyable (and we're not that far from moving into the "good episode" section of the list), but all the dumb on display here is nearly too much to take. 10 Best Episodes of "Star Trek: Deep Space Nine" All About the Lost Star Trek Pilot 'Futurama' Pictures 'Futurama' Characters and Best Episodes to Binge-Watch. Somehow, we get to the Battle of Britain and The Alamo from here. No? DS9’s crew may have spent less time boldly going than their TNG counterparts, but they also proved that sometimes, true bravery lies in sticking around long enough to pick up the pieces. It was the third sequel to the original Star Trek series, after The Animated Series and Next Generation.It takes place in the years 2369-2375 and takes place primarily on a space station as opposed to aboard a star ship. There was never a sense that they were in any real danger. Trivial Note - This is such a bottle episode that they didn't even bother rearranging the standing sets to film scenes in the Mirror Universe. The two had briefly bickered in prior episodes, but this was the first time they were paired together in an A-story and O'Brien's initial annoyance with Bashir was a major plot point. 6. The script explains how this happens satisfactorily, but the whole flow feels a bit off, still. That's who you are, and that's who you'll always be." Why would the Federation allow an extradition hearing with a government that it has no formal relations with? As an unashamed lover of all things Ferengi, this episode couldn’t have thrilled me more. Image Source Episode Summary: In The Pale Moonlight is one of the highest rated and popular episodes of Star Trek Deep Space Nine and considered to be one of the darkest Star Trek episodes ever. The logic by which she's made station counselor is pretty tortured, but her scenes with Garak and Worf are mostly successful. 162. 3. Trivial Note - Melora's low-gravity home environment was the original concept for the character that would become Jadzia Dax. Plus, I guess this story isn't all that different from Inception, and people liked that, right? That his second-to-last appearance comes in a romantic farce involving characters suddenly, artificially becoming infatuated with one another is very similar to what happens to a certain love interest in season two of Buffy the Vampire Slayer. Delving into such themes was a brave experiment on the part of creators Rick Berman and Michael Piller and showrunner Ira Steven Behr, but the show’s real brilliance began to show through from its magnificent fourth season onwards, when Worf’s arrival on the station brought some much-needed Klingon verve to proceedings, and as the sinister presence of the Dominion – oppressive rulers of the Gamma Quadrant and the people of mysterious station security officer, Odo (Rene Auberjonois) – heralded a long and bloody conflict. Recasting would've been a big mistake. I don’t think you’re supposed to cry when Klingons sing, but then I am only a weak human, so no more can be expected. Of all the episodes down here toward the bottom of the list, this one had the most potential. This episode implies that Bashir erred on purpose to explain away the prior line to audience members who actually know what those medical terms mean. Different races try to coexist peacefully in the third `Star Trek' spin-off. "The Ascent" - Season 5, Episode 9 (11/25/96), "Because Solid or Changeling, you're still a miserable, self-hating misanthrope. As much as the shrunken runabout plot is ridiculous on its face, the stupidity of the Jem'Hadar here is probably harder to take. Trivial Note - This series did an admirable job of maintaining continuity with itself and the prior Trek productions (something the previous productions largely didn't do), but I feel like even the show was too embarrassed of this episode to reference it in season six's "Inquisition", where Bashir is accused of unknowingly being a Dominion sleeper agent. Mention must also be made of the brilliant Marc Alaimo as Gul Dukat, the station’s former commander, whose mind games with both Sisko and Kira would only become more twisted – and more intriguing – with each season. Watching Worf interact withDS9’s established cast against an ominous backdrop of looming war between the Klingon Empire and Cardassia provides sufficient drama to launch DS9’s sublime fourth season into the stratosphere. Of all the MU episodes, this is the only one that takes place entirely in the regular universe. Although connections between DS9 and TNG had been made before – Picard’s appearance in the series pilot, a fleeting visit from Q, the presence of Miles O’Brien (Colm Meaney) – ‘The Way of the Warrior’ marks the arrival of one of TNG’s finest characters: the conflicted, brooding and sometimes unwittingly hilarious Commander Worf (Michael Dorn). During its seven-season run (1993-1999) DS9 repelled casual viewers with its ‘dark’ plotlines and complex moral dilemmas, even as it rewarded long-standing fans with fascinating character arcs and some of the finest acting ever seen in a Trekseries. Such are the disadvantages of Star Trek's bloated 26-episode seasons (at least on this show and TNG) that even the best season of the series had this clunker in it. He, Dorn and the excellent J.G. Sisko) directs this episode rather well, his third directorial effort of the series. And yes, it's not good, but I don't believe it to be the worst of the series. The best of the Orion Syndicate episodes is the one where nobody from the Orion Syndicate actually shows up. I've mentioned that multiple early episodes were reworked Next Generation stories. After all, as Sisko says to his father, for all they know ‘at this very moment, somewhere far beyond all those distant stars, Benny Russell is dreaming of us.” Just for a moment, we join Ben Sisko in wondering which is the dream, and which is reality. 161. The Bilby character isn't terrible, but he seems like a real sad sack to be part of this supposedly elite space mafia. 164. So that blob up there in the picture is the big monster whatever in "The Storyteller". Deep Space Nine allowed the Star Trek franchise to explore the darker, grittier side of Starfleet, evident in no clearer way than in this episode that features a morally bankrupt Commander Benjamin Sisko. Somehow, it doesn't feel that grandiose in retrospect, probably because it's obvious all the way through that nobody important was ever in any real danger. This is another season two episode that doesn't seem to quite know what it wants to be. It's amazing that such a fan favorite character could ruin such a fan unfavorite character's episode, but thems the breaks. The whole concept of a rivalry between Jem'Hadar created in the Alpha Quadrant and the originals who were bred in the Gamma Quadrant isn't ludicrous, but the Alphas act like colossal morons. I'll keep the line moving with this list over the next several days, so look for Part 2 soon. Kirk used to pull one over on the mob planet guys in the awesomely stupid Original Series classic "A Piece of the Action". 140. 167. Trivial Note - The in-universe explanation for Worf's un-Klingon-like stoicism is given here, and it's the best part of the episode. Trivial Note - Sisko mentions that the anniversary of his wife's death was "yesterday" in the beginning. "Prodigal Daughter" - Season 7, Episode 11 (1/6/99), "You always said that I was too weak...to handle the tough ones. This is the episode where Ishka, Quark and Rom's mother, begins her affair with the Grand Nagus. DS9 always strove to maintain Trek's idealistic nature, but acknowledge that there would be hard realities in Federation society just like everywhere else. - Dr. Julian Bashir. This is the first episode to be directed by Rene Auberjonois, who plays Odo. Every episode counts separately. Of all the reworked Next Generation pitches that populate the first couple of seasons of DS9, this is the reworked Next Generation-est. Whitney, basically, to have any hope of surviving. Worf. "Tribbles" is one of the most popular episodes of the classic series, and bringing the crew of DS9 in contact with Kirk and other characters is done with wit and incredible special effects. If you can't get the past all the ridiculousness, though, these episodes are a tough watch. But, still, this story is pretty ridiculous. As is the case with a few episodes in this stretch of the list, the two stories are mostly fine, but they don't flow together super well. Home; TV; Top 10 Star Trek: Deep Space Nine episodes; Features Top 10 Star Trek: Deep Space Nine episodes. Worf. The idea of a small force facing overwhelming odds definitely jibes with the Dominion War arc in the last two seasons of the show. Harney's best known for brilliantly playing the deeply insecure prison counselor Sam Healy on Orange Is the New Black. "Babel" - Season 1, Episode 5 (1/24/93), "Major larks true pepper..." - Chief Miles O'Brien. Such are the rules of television. Trivial Note - The serial killer Joran Dax is introduced here, and a version of him reappears two more times, in season three's "Facets" and season seven's "Field of Fire". - Lt. Jadzia Dax. This had to really screw with at least one person's head. His delivery of, "He says I'm malleable," is one of the single best line readings on the series. We may very well have what you want, as per the will of the Great River. Though this did allow for the cloaked cloaking device sequence, which was the other successful part of this episode. Somehow, through all the old age makeup, he maintains an air of dignity to the end, plus he doesn't come off as a moron reciting some the preposterous expository dialogue he's given in the middle. "Through the Looking Glass" - Season 3, Episode 19 (4/17/95), "I can't let her die. 158. "Honor Among Thieves" - Season 6, Episode 15 (2/25/98), "I don't forget my friends, cause friends - they're like family. This is only time that Zek's manservant Maihar'du speaks, though he only speaks as a representation of the Prophets (this is also done with Morn later). All total, that means we have 173 episodes of this seven season behemoth to wade through. He does a reasonable job, and the defacing of his own art provided the episode with its only successful moment. Combs would return to play two more wonderful creeps, Brunt and Weyoun, for the rest of the show. I'm not. Trivial Note - While this had already been revealed in the previous episode, this story deals most directly with Section 31's use of Odo as the vector for a virus that was intended to eventually wipe out all the Changelings in the Great Link. I don't know if this storyline was ever going to amount to anything on the show, but it seems they either should've been a bigger part of the series or just done away with altogether. She played Sarina as nearly catatonic in season six's "Statistical Probabilities", and was asked to re-audition here since the character would now be given dialogue and have to carry much of the plot. That episode was better. Originally, writers David Weddle and Bradley Thompson wanted to follow up on the Orion Syndicate storyline that had been kicked around on the show the previous two seasons. One of the more popular choices for worst episode of the series, "Time's Orphan" mostly sucks because of the super-bizarre decision-making of the O'Briens. Trivial Note - The episode's entire plot rests on there being no cloaking devices in the Mirror Universe, as this is presented as a tool that could change the balance of power in the dumb rebellion going on over there. Meg Foster (They Live, Leviathan, Masters of the Universe) plays a good creepy woman, but her story with Jake here is just a complete zero. And even though the Garak who's in this episode isn't actually Garak most of the time, the pairing of Siddig and Andrew Robinson almost always works. This problem would be fixed by season two, but that didn't help this episode, which sees Bashir become infected with a dying master criminal's consciousness without knowing it. Unfortunately, the hapless trio have landed in Roswell, at just the right time to spark off conspiracy theories by the dozen. Playing such a hateable character can follow you around for a while. ‘The Visitor’ (season four – written by Michael Taylor, directed by David Livingston), “To my father, who’s coming home.” – Jake’s dedication. The episode is presented to the viewer as a flashback; Captain Sisko addresses the camera and the audience takes on the point of view of the computer as he dictates an entry into his … Fortunately for the viewer, the other Gamma Quadrant races are...not stupid and terrible. He confesses, apparently unrepentant – but there is far more to his story than meets the eye. As Kor’s encroaching senility is revealed in front of his crewmates, the revered Da’har master must redeem himself by his noble sacrifice. - Elim Garak. He returned to write for this series since character conflict was to be major component and eventually became the showrunner for the final five seasons. "Let He Who Is Without Sin..." - Season 5, Episode 7 (11/11/96), "I will do as I please! Brilliant and beautiful, ‘The Visitor’ sums up everything that made DS9 so unforgettable. - Lt. Jadzia Dax. Trivial Note - In season one's "Q-Less", Bashir tells a woman he's flirting with why he finished second in his class at Starfleet Medical instead of first. Fifty years later, the mission continues as 'Star Trek' castmembers from the original series, 'Next Generation,' 'Deep Space Nine,' 'Voyager,' and 'Enterprise' pick their top episodes … - Cos. This episode (the second trip to Mirrorland) more or less has the same strengths and weaknesses of the other MU episodes. Who knows? This program is mentioned, but not seen, several times in season seven, with O'Brien making a diorama of the battle as well. Broadcast "In the Pale Moonlight" was first broadcast on April 15, 1998, in broadcast syndication. However, there is good stuff here. ‘Far Beyond The Stars’ (season six – written by Ira Steven Behr and Hans Beimler, story by Marc Scott Zicree, directed by Avery Brooks), “You are the dreamer, and the dream.” – The Preacher. The show didn't really become itself until season three (or season four if you want to fight about it), and several episodes from the first season in particular were reworked pitches for the then-still airing Next Generation. Hey, it's the Mirror Universe again. Tribbles, Ferengi, and James Bond spoofs: Gem counts down the best 10 episodes of DS9... Ah, Deep Space Nine. The story that featured Barrett as Lwaxana Troi isn't great by any means, but it's not completely objectionable. Some futuristic moral majority buttholes try to keep everyone from having fun on Risa, the Federation's already established hedonistic vacation planet. We had a life, a family." I really cannot imagine how chauvinistic that version had to be. "Second Sight" - Season 2, Episode 9 (11/21/93), "Let there be light!" Also, it's still only number 148 out of 173. Another of the show’s wonderful tributes to classic genre fiction, ‘Little Green Men’ allowed us to see the Ferengi interact with a world altogether more to their liking than the sanitised Starfleet environment of the 2370s. I do think there's something to the episode's reveal about the ungentlemanly actions of the oft-mentioned Curzon, but you can still see the series slowly settling into what it would later become. He starts a casino-type place that hurts Quark's business, which in turn leads Quark to set up a racquetball match between Bashir and O'Brien, which is also affected by this luck device, which has now been replicated and enlarged by con artist casino-man. The explanation for why everybody's suddenly deeply in love with somebody random is pretty damn silly, but I'm generally OK with this episode. The anniversary date seems to be off by a few months, but whatever. Mirror Rom bites it in this one. - Cmdr. Only one man was ever going to pass as a successful Bond-alike on DS9, and that was its suave doctor and holodeck obsessive, Julian Bashir. - Lt. Jadzia Dax. Benny’s constant visions of a brighter future, peopled by all those he knows – albeit in very different guises – are overwhelming. But their tactics are dumb, their leader is dumb, and this plot is dumb. He directed ten episodes of the show overall, and four in season four alone. “I know everything about you people…baseball, root beer, darts… atom bombs.” – Quark. DS9 overcame the consistency bug as much as any Trek show ever has and gave the franchise several of its greatest characters and storylines. Fizzbin is the made-up card game that Capt. ‘Trials and Tribbleations’ (season five – written by Ronald D. Moore and René Echevarria, story by Ira Steven Behr, Hans Beimler and Robert Hewitt Wolfe, directed by Jonathan West)Dax: “He’s so much more handsome in person. The Borg were left to be dealt with (effectively) by the Next Generation crew in Star Trek: First Contact (easily one of the three best Trek movies) and (less effectively) by the Voyager crew on that series. In case you don't remember, or repressed the memory, Quark has to pose as a woman to impress a Ferengi businessman (played by the great Henry Gibson). He also directed several episodes of Voyager and Enterprise. Plus, courtroom episodes tend to be sort-of bland. We'll discuss this more in the entries for "Call to Arms", "Sacrifice of Angels", "Tears of the Prophets", "Image in the Sand", "Shadows and Symbols", and "What You Leave Behind". 1 - It kills off the space pirate Mirror Ben Sisko that appeared in "Crossover". Unfortunately, the second Mirror Universe episode, "Through the Looking Glass", shows MU ships cloaking. Those are the all-too-common tenets of Gene Roddenberry's influential, yet flawed and repetitive style of storytelling. Trivial Note - ...because this is where Sisko gets his baseball. "Ferengi Love Songs" - Season 5, Episode 20 (4/21/97), "But living with those people, day in and day out, being exposed to their ethics...their morality...it's like I've been brainwashed!" Odo is among the best characters on DS9, but the episode where he gets a little sexytime does not rank among his shining moments. Just about any episode featuring the pairing Kira and Dukat is going to have some redeeming value, and the script's exploration of cult behavior was actually very timely (more on that below). (Actually, this makes more sense than most things in the MU.) StarTrek.com asked fans “Which of these DS9 episodes had the best battle scene?” – and the results are in. Forget Picard’s Enterprise; my dream posting within Starfleet – now come on, we’ve all thought about it – would be to the space station on the wild frontier, populated by a motley crew of Starfleet personnel, Bajoran soldiers and shady characters of all species. Other than that, though, it's a more-or-less reasonable hour of TV. - Quark. If ever a crew deserved to walk the hallowed halls of the first Enterprise, it was the crew of Deep Space Nine – and they got their chance when Arne Darvin, a surgically altered Klingon spy, went back in time for another chance to assassinate none other than the legendary Captain James Tiberius Kirk. I let you walk. 170. This one's no different. Also, the Jake/Nog friendship is established, as is Keiko O'Brien's early role of schoolteacher. This is an oddball story, as it's clearly two very different ideas sort-of uncomfortably crammed together. Meanwhile, aboard Deep Space Nine, Sisko is unconscious, but experiencing Benny’s life as if it were his own. Can Benny bring his dream to a wider audience, and can Sisko find the strength and purpose he needs to keep on fighting the apparently hopeless war against the Dominion? Trivial Note - D.C. Fontana is one of the credited writers of this episode. Trivial Note - This, like many of DS9's dregs, was originally a Next Generation story, although season six was long past when that practice had largely stopped. 7. “Bar Association” – For most of DS9, at least until this point, Rom was a highly underutilized and undervalued character. But the real winner of the episode is Richard Kiley, who plays the egomaniacal Prof. Seyetik to the hilt. Here, that chemistry is sadly lacking, as is anything to make the skin tone of Rene Auberjonois' Odo mask match the color of the rest of his body, which makes his shirtless, post-coital scene weirdly upsetting. The scene where Worf explains why he's so stoic is worth bumping the episode up a few notches on its own. The end result of all that wrangling is an episode that needed to either be less of a Casablanca remake or more of one. While you've got both Star Trek and Atlanta Classic Comics on your mind-grapes, perhaps maybe you should check out ACC's selection of Trek comics, figurines, and whatnot. 166. No matter how many time it happens to you, you never get used to it." The main issue I have with this episode is how medically unethical Bashir's relationship with Sarina is. There are a couple of funny moments in the script (or maybe I was drunk when I watched it), but they are few and far between. Trivial Note - The novel that Jake starts writing with the assistance of a life force-draining alien temptress is called Anslem, which is also the name of his acclaimed novel in the future-set parts of "The Visitor", an episode which is about a zillion bajillion times better than this one. 168. A good crossover episode is always satisfying, and the opportunity to meet the creator of one ofStar Trek: Voyager’s most endearing characters, the Emergency Medical Hologram, is too good to pass up. Given what happens in the episodes around it, this tale seems even more ludicrous, but it's narrative importance in the final arc helps buoy it a bit. Alexander Siddig (credited as Siddig El Fadil at this point) struggles mightily with this criminal persona, and his line deliveries toward the end are pretty laughable. So, yeah, not really feeling the Orion Syndicate. 3 - Sisko does this in order to help Mirror Jennifer Sisko (the MU version of his dead wife). The only real exceptions here are the pilot, the series finale, and the season four premiere, which all aired as one 90-minute episode (2 hours with commercials). 159. 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A chronological order of episodes is presented in the series article. "Playing God" - Season 2, Episode 17 (2/27/94), "Jadzia Dax is not Curzon Dax, but I am Dax. Avery Brooks and Terry Farrell play the scene well, and it legitimately feels like an emotional goodbye between long-time friends. Shouldn't it still become a full universe and destroy everything, just like it would've done if they had dumped it in the Alpha Quadrant? This was the episode directly after "Prodigal Daughter", and it's one of the episodes that was damaged by the amount of attention its predecessor had to receive just to get finished in time. Star Trek: Voyager was a series with a great premise and stories that somewhat frequently — but not always — lived up to it.. 25 years ago today, Voyager premiered with the two-hour pilot "Caretaker" and forever changed the franchise with its introduction to the first female Captain, Kathyrn Janeway (a perfect Kate Mulgrew). That's a pretty heinous thing to do, no matter the intent. Speaking of farce, "Fascination" is about as old-school a farce as DS9 ever attempted, and the results are mixed. If you don't mind how nonsensical the MU is, it's a lot of fun. Star Trek: Deep Space Nine is the third live-action television series in the Star Trek franchise and aired in syndication from January 1993 through June 1999. Gender dynamics were never really Trek's strong suit (except on the otherwise unremarkable Star Trek: Voyager), but this episode ranks down among the lowest of the low when it comes to portrayals of women in popular culture, which is especially a shame considering how many strong female characters populate this series. - Chief Miles O'Brien. All right, now that that's settled, let's get started. and air of charming insouciance made him the ideal holographic host for the increasingly damaged crew of Deep Space Nine as the war with the Dominion dragged on and on. Trivial Note - This is the third of four episodes to deal directly with the situation faced by Ferengi females, after "Rules of Acquisition" and "Family Business", and before "Profit and Lace". "Profit and Lace" - Season 6, Episode 23 (5/13/98), "You may be a lousy son, but you made a wonderful daughter." The pacing is weird, the editing is weird, and many of the performances are wooden. - Ensign Ezri Dax. Those are counted as one episode. Oops. Here, he's a misunderstood artist who violently lashes out. Their logic isn't entirely ridiculous, as they warn of what would happen to the Federation if the Borg, Dominion, or Romulans decide to attack, and the Trek universe experiences two of those events within the year. His boss, however, is adamant; nobody wants to read about the adventures of Ben Sisko, the black captain of a space station called Deep Space Nine. The top-notch editing techniques used here seamlessly intergrate the two crews, culminating in a supremely touching salute from one legendary captain to another, as Sisko does what even temporal investigator Dulmer (yes, and before you ask, his colleague’s called Lucsley) has to admit he would have done in his place. I handled the problem you couldn't. I would rank this episode as the worst of the show, if it weren't for one scene. I know Star Trek has made a long habit of trading on science fiction-y dumbness, but this one may be a little bridge too far. He started directing episodes of The Next Generation late in that show's run and carried over to this series after that one ended.
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